VJ Flavio Flarys

● Sound · image · vinyl · live

Music you can
see.

A repertoire shaped into a live audiovisual narrative — music videos, records, memory and presence mixed in real time.Music videos, records and memory mixed live.

Watch the sets ↓▶ Watch the most-viewed set International bookings →

VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE — VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE — VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE — VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE — VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE — VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE — VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE — VINYL — MUSIC VIDEOS — GROOVE — BRAZILIAN MUSIC — POP — SOUL — DISCO — R&B — ROCK — MPB — DANCE — 1980s — 1990s — 2000s — TELEVISION — INTERACTION — CURATION — MUSICAL MEMORY — DANCEFLOOR — LIVE IMAGES — STORYTELLING — IMPROVISATION — FESTIVALS — FOOD CULTURE — VISUAL SETS — MIXING — ARCHIVE — PRESENCE — NARRATIVE —

A body of work
always on.A body of work
always on.

6.97KYouTube subscribers

212videos published

350Kviews on one set

350K views

Brazilian grooveson vinyl

Rita Lee · Djavan · Cazuza · Gilberto Gil · Jorge Ben · Paralamas do Sucesso · Tim Maia · Novos Baianos · Lulu Santos · Seu Jorge

85.88K views

Brazilian grooveunhurried

Zeca Baleiro · Djavan · Jorge Ben Jor · Tim Maia · O Rappa · Marcelo D2 · Fat Family · Melim · Lady Zu

7.43K views

Pop, soul &global groove

Michael Jackson · Madonna · Tears For Fears · Cheryl Lynn · Deee-Lite · Crystal Waters · Bruno Mars

52.53K views

Brazilian pop rockon vinyl

Lulu Santos · Paralamas do Sucesso · Tim Maia · Jorge Ben Jor · Lobão · Novos Baianos · Barão Vermelho · O Rappa · Kid Abelha · Legião Urbana · Rita Lee · Cidade Negra

5.49K views

International hitsin high rotation

Swing Out Sister · Diana King · Tears For Fears · Madonna · Shaggy · Ace of Base · Lisa Stansfield

19.67K views

Opening the nightBrazilian pop

Djavan · Projota · Roberto Carlos · Baby Consuelo · Novos Baianos · Vitor Kley · ANAVITÓRIA · Fernanda Abreu · Blu Cantrell

Watch every set and follow the channelFollow the channel on YouTube

Scenes that
stayed.

Each moment carries a different energy.

This is not music
with pictures behind it.
It is image in motion,
music that tells a story
and a repertoire that creates a sense of place.

VJ Flavio Flarys mixing at the turntables — 01 The live gesture

Flavio Flarys concentrating during a stage performance — 02 Focus and pulse

VJ Flavio Flarys at the turntables during a performance — 03 Presence and dancefloor

Night performance on a large stage — 04 Scale, light and encounter

Original worlds.

vinyl · food culture · gathering

Vinho Vinil

Music, wine and images as a culture of gathering.

An original project where musical curation moves through records, videos, food and place.

See highlights on Instagram ↗

audiovisual night · pop culture

DiscoLado

Pop history leaves the archive and returns to the floor.

An audiovisual night built on repertoire, presence and participation — never nostalgia on autopilot.

See highlights on Instagram ↗

participation · live narrative

Interativamente

When the screen stops speaking alone.

Questions, choices and provocations turn the audience into part of the live narrative.

See highlights on Instagram ↗

music videos · memory · high energy

Alta Rotação

Music, video and memory at full speed.

A flow of images and songs paced with television timing and dancefloor instinct.

See highlights on Instagram ↗

LIVE VIDEO SYNC

Voice and imagetogether.

At Wine Jazz, Alegria performed live while Sade’s original music video was mixed and synchronised behind her in real time — voice, screen and musical memory becoming one performance.

Flavio Flarys reporting with an Inter TV microphone — Archive · Inter TV

25 years in television.25 years in television.

Including 13 years presenting programmes for Inter TV, a Globo affiliate, this experience brings camera craft, scripting, reporting and improvisation into the VJ work: its pace, its reading of a room and the way every sequence becomes a story.

From screen to dancefloor

PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE — PRESENTING — STORYTELLING — IMPROVISATION — EDITING — PRESENCE — AUDIENCE —

Three decadesin rotation.

Flavio Flarys at the start of his DJ career in 1996 — **1996**The beginning

Flavio Flarys researching music and DJing in the early 2000s — **2003**Research and repertoire

Flavio Flarys performing at Festa Imaginação — **2009**Festa Imaginação

Flavio Flarys in a DJ booth — **2015**Presence and dancefloor

Flavio Flarys DJing in an orange shirt — **2019**A new language

VJ Flavio Flarys holding the Pulp Fiction vinyl record — **2021**The return of vinyl

Flavio Flarys mixing vinyl at a night performance — **2024**Vinyl on video

Flavio Flarys mixing vinyl on a large stage — **NOW**Images and stage

1996

Sound becomes
a craft.

It begins in Rio de Janeiro.Vinyl teaches research, sequencingand how to read a dancefloor.

2006

Music findsa screen.

With Cássius Belle, he creates VideoMasters.They pioneer video DJingin the state of Rio de Janeiro.With Cássius Belle, he pioneers video DJing in Rio.

2011

The night becomes
a language.

Festa Imaginação combinesmusic, spatial design and imagesacross sixteen original editions.

2021

The repertoire
returns live.

Back in the DJ booths of Rio,the archive meets a new audienceand a new chapter begins.

The repertoire
keeps moving.

New sets, projects and encounters become part of this story as it happens.

International bookings Follow the next chaptersThe next chapters YouTube Instagram

A body of workalways on.A body of workalways on.

Brazilian grooveson vinyl

Brazilian grooveunhurried

Pop, soul &global groove

Brazilian pop rockon vinyl

International hitsin high rotation

Opening the nightBrazilian pop

Scenes thatstayed.

Original worlds.

Vinho Vinil

DiscoLado

Interativamente

Alta Rotação

Voice and imagetogether.

25 years in television.25 years in television.

Three decadesin rotation.

Sound becomesa craft.

Music findsa screen.

The night becomesa language.

The repertoirereturns live.

The repertoirekeeps moving.

A body of work
always on.A body of work
always on.

Scenes that
stayed.

Sound becomes
a craft.

The night becomes
a language.

The repertoire
returns live.

The repertoire
keeps moving.